Call for Papers

FRAME 33.1 – Perspectives of Urban Studies

In his 2015 text “The Aesthetics of Singularity,” Fredric Jameson finds the ontology of our era expressed in contemporary art installations. (1) Like Stanislaw Lem’s reviews of imaginary books that demonstrate how the idea of a book is just as consumable as the real book itself, art today is generated by a single idea that operates through its combined form and content. One may ask the question in an urban context: What is the idea of a city? The point of the question is not (necessarily) to search for a master narrative, one that constructs a rationale for all types of urban crises. It is rather to reflect, in a multifaceted manner, on what it means to live in the city today. What does it mean to live in an urban environment rendered increasingly precarious by climate-induced earthquakes and flooding? What does it mean to move in an urban space where digital and bio-technologies register flows of information, knowledge, and risk? What does it mean to live in the metropolis where people are so easily blasé towards structurally prescribed segregation, the neighbouring of spaces assigned to extreme poverty and extreme prosperity, slums that border on central business districts? What does it mean to live in a geopolitical node that must bear the increasingly unbearable weight of globalised human movement, be it migration, trade, or tourism? The list continues.

In this issue, FRAME invites you to think of the city as a template for various social, cultural and political (re)engineerings that address different urban crises and to think of urban crisis as crisis beyond the urban. We welcome contributions from literary, media, or cultural analysis perspectives that work on:

– the representations of cities/urban lives in literatures/films/photos/arts
– the images/texts/arts in the city
– the city itself as text(s)/image(s)/imaginar(ies)/art installation(s)
– noise, urban soundscapes as well as other sensescapes
– utopia/dystopia through the urban lens
– crisis narrative
– discursive analysis of urban phenomena, planning and design
– urban history
– and more

From graffiti to traffic signs, from built architectures to creative forms of human inhabitance, “[One] take[s] delight not [only] in a city’s seven or seventy wonders, but in the answer it gives to a question of yours,” as Italo Calvino writes in Invisible Cities, “Or the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx.” (2)

If you are interested in writing for FRAME, please submit a brief proposal of 250 words max. before 24 November 2019. The deadline for the final version of your article is set on 23 February 2020. An article for FRAME consists of a maximum of 5400 words, including bibliography and footnotes. For our Masterclass section, graduate students are invited to write up to a maximum of 3500 words. Articles should be accompanied by an abstract in English of approximately 100 words and a short biography. Please feel free to contact us at, should you have any questions. More information can be found on our website:

(1) Jameson, Fredric. “The Aesthetics of Singularity.” New Left Review, vol. 92, no. 92, 2015, pp. 101–132.
(2) Calvino, Italo. Invisible Cities. Translated by William Weaver, Harcourt Brace & Company, 1978, p. 44.